A large abstract canvas leaning against a pristine white gallery wall, covered in layered swaths of deep indigo, muted terracotta, and warm cream paint, with fine graphite lines intersecting like traces of lived experience. The canvas rests on a smooth concrete floor scattered with subtle paint flecks. Soft diffused daylight filters from an unseen skylight, casting velvety shadows along the wall and emphasizing the texture of brushstrokes and dried paint ridges. Photographic realism with a clean, modern aesthetic, shot at eye level with a slight angle, using shallow depth of field so the background recedes into a gentle blur. The mood is contemplative and sophisticated, suggesting modern art as a quiet reflection on life’s complexity.

SincereMarc

Moderne Malerei, die Alltagsmomente seziert, Gefühle verdichtet und ehrliche Geschichten über das Leben sichtbar macht.

Ausstellungen

12.10.2025

Kunsthalle Wien

Wien,AT

19.10.2025

Galerie Hafen

Hamburg,DE

26.10.2025

Museum Licht

Zürich,CH

13.10.2025

Kunstraum Wien

Wien,Österreich

20.10.2025

Galerie Hafenhaus

Hamburg,HafenCity

27.10.2025

Museum Lichtsaal

Zürich,Altstadt

14.10.2025

Forum Wien

Wien,Innenstadt

21.10.2025

Galerie Amkai

Hamburg,Altstadt

28.10.2025

Museum Amsee

Zürich,Seeufer

An elongated black granite plinth set in the middle of a spacious, dimly lit gallery, supporting a series of small, asymmetrical white ceramic forms arranged in a deliberate yet slightly irregular line, each piece subtly different, bearing faint hand-carved marks. The floor is matte charcoal concrete; the walls, nearly black, recede into darkness. A single overhead spotlight casts focused, cool-toned light, carving crisp highlights along the ceramics’ curves and deep shadows between them. Photographic realism, shot from a low, side-on angle to emphasize rhythm and depth, with a long, cinematic composition. The atmosphere is hushed and introspective, suggesting modern sculpture as a meditation on repetition, imperfection, and the passage of life.
A meticulously arranged flat lay of modern art tools on a smooth, dark slate tabletop: large, well-used palette knives with dried streaks of muted pigments, neatly aligned charcoal sticks, folded linen canvases with raw edges, glass jars of clear gesso, and a single opened sketchbook showing abstract graphite studies. A narrow beam of late afternoon sunlight from an unseen window grazes the surface diagonally, producing elongated shadows and subtle highlights on metal and glass. Photographic realism, top-down bird’s-eye composition with balanced negative space around the arrangement, emphasizing order and craftsmanship. The mood is quiet, sophisticated, and anticipatory, presenting the sincere, behind-the-scenes life of a modern artist’s practice without ever revealing the artist.
A long, narrow wooden table made of dark, oiled walnut stands in an otherwise empty white cube gallery, its surface meticulously arranged with a sequence of small, abstract objects: a rough concrete block, a perfectly smooth onyx sphere, a thin brass frame, a folded piece of charcoal velvet, and a single clear acrylic cube. The surrounding walls are pristine, the floor pale polished concrete. Large, high windows out of frame bathe the scene in cool, diffused daylight, creating soft, overlapping shadows under each object. Photographic realism with a slightly elevated, three-quarter angle and crisp depth of field, inviting the viewer to read the table as a quiet narrative of material and form. The mood is analytical yet emotive, reflecting sophisticated, modern art about life’s contrasts.